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Issue 5.8.B IPDirector V.5.8
–
User Manual
–
Part 7: Editing -
IPEdit
EVS Broadcast Equipment - July 2010
164
4.13 AUDIO SWAPS AND MUTES
4.13.1 INTRODUCTION TO THE SWAP/MUTE FUNCTION
DEFAULT AUDIO TRACK AND CHANNEL ALLOCATION
By default, the tracks and channels of the source media are added in a linear way
and in the same sequence when an element is added to a timeline.
The following schema shows how the channels and tracks of a source media with 4
tracks of 2 mono channels are added into the timeline:
- User’s Manual 1
- COPYRIGHT 2
- DISCLAIMER 2
- IMPROVEMENT REQUESTS 2
- REGIONAL CONTACTS 2
- Table of Contents 3
- What’s New? 8
- About this Manual 10
- PART 3: BROWSING 11
- PART 4: INGEST 11
- PART 7: EDITING 12
- PART 8: EDITING 12
- 1. Introduction 14
- 1.3 LIMITATIONS 15
- 1.4 OVERVIEW 15
- DISPLAY 16
- DESCRIPTION 16
- AUTOMATIC UNLOCK 16
- 1.4.4 IPEDIT OUTLINE 17
- 1.4.6 PLAYER 18
- 1.4.7 BROWSER 18
- 1.4.8 TIMELINE 18
- 2. Browser 20
- BROWSER 21
- 3. Player 24
- 3.2.1 PRINCIPLE 25
- 3.2.2 DISPLAY 26
- 3.3 VIDEO DISPLAY 27
- AUTOMATIC ASSOCIATION 28
- PLAYER IN IPEDIT 28
- 3.5.1 LOCK ICON 29
- 3.5.2 LOADED MEDIA FIELD 30
- 3.5.3 LSM ID FIELD 30
- 3.5.4 TIMECODE FIELD 31
- 3.5.5 TRAIN NAME FIELD 31
- 3.5.6 DURATION FIELD 31
- HEN A RECORD TRAIN IS LOADED 32
- 3.5.7 JOG BAR 33
- 3.6.1 PURPOSE 34
- 3.6.2 BUTTON DESCRIPTION 34
- 3.7.1 PURPOSE 39
- 3.7.2 INSERT FUNCTION 39
- 3.7.3 OVERWRITE FUNCTION 39
- 3.7.5 MATCH FRAME REPLACE 40
- 3.8 PLAYER TRACK SELECTION 41
- 3.8.4 EXAMPLE 42
- 3.9 AUDIO MONITORING 43
- TEMPLATE 45
- 3.10.1 GENERAL INFORMATION 46
- 3.10.3 WAYS TO LOAD CLIPS 47
- 3.10.4 WAYS TO LOAD TRAINS 47
- 3.10.5 WAYS TO LOAD LOGS 48
- 4. Timeline 49
- 4.1.2 TIMELINE DISPLAY 50
- TIMECODE BAR 51
- NOWLINE 51
- MARK IN /OUT POINTS 51
- LASSO SELECTION AREA 53
- INSERT/OVERWRITE GLOBAL MODE 57
- SET TIMELINE MARK IN 57
- SET TIMELINE MARK OUT 57
- CLEAR TIMELINE MARKS 58
- EXTEND SLOW/FAST 59
- MATCH FRAME IN PLAYER 60
- CLEAR MARK IN 60
- CLEAR MARK OUT 60
- ADD TRANSITION EFFECT 60
- REMOVE TRANSITION EFFECT 60
- 4.1.5 LOCATOR ICONS 61
- FUNCTIONS 61
- START REPLACE 63
- CREATE CLIP FROM TIMELINE 64
- AUDIO MONITORING 64
- PLAY FORWARD (MULTISPEED) 64
- FAST REWIND (MULTISPEED) 65
- MARK IN TC 66
- MARK OUT TC 66
- NOWLINE TC 66
- TIMELINE DURATION 66
- OCATOR/GPI SELECTION BUTTONS 67
- SCALE BAR 68
- MOVE BAR 68
- VOLUME AUTOMATION MODE 68
- SWAP / MUTE ZOOM MODE 68
- MUTE BUTTON 69
- 4.2 TIMELINE MANAGEMENT 70
- • the user’s default bin 72
- • a default archive target 72
- HOW TO CREATE A NEW TIMELINE 73
- Left Pane 74
- CONVERSION METHODS 76
- AKE A TIMELINE ONLINE WINDOW 77
- 4.2.4 OPENING A TIMELINE 79
- DESTINATION TYPES 83
- TRANSFER TYPES 84
- 4.3 TIMELINE EDITING 85
- SUPER SLOW MOTION CLIPS 86
- ROWING CLIPS IN TIMELINES 87
- SELECTION BY CLICKING 93
- SELECTION WITH THE LASSO 93
- 4.5.1 APPLICABLE PRINCIPLES 96
- VAILABILITY OF CLIP MATERIAL 97
- NAME OF TIMELINE ELEMENTS 98
- INSERT 98
- OVERWRITE 99
- MATCH FRAME REPLACE 101
- PROCEDURE IN THE PLAYER 101
- ROCEDURE WITH THE SHUTTLEPRO 102
- Principle 103
- 3-Point Edit 104
- 4-Point Edit 104
- Possible Cases 104
- ACTIONS 105
- • Position the nowline 106
- • the Database Explorer 106
- General Principles 107
- OVERVIEW 108
- GENERAL RULES 108
- Description 109
- Procedure 109
- • Press on the keyboard 109
- INTRODUCTION 112
- PROCEDURE 112
- TIMELINE 115
- PRINCIPLE 116
- Second Method 117
- POSSIBLE ELEMENT SELECTIONS 119
- POSSIBLE MOVE TYPES 119
- 4.8.1 INTRODUCTION 122
- EXAMPLE OF EXTEND 123
- PRINCIPLES 128
- ELEMENT 129
- TIMELINE ELEMENT 130
- 4.9.1 INTRODUCTION 131
- Before the Trim Action 132
- During the Trim Action 132
- After the Trim Action 132
- OW TO ACTIVATE THE TRIM MODE 134
- HOW TO CHANGE THE TRIM MODE 135
- TRANSITION 136
- 4.9.4 POSSIBLE TRIM ACTIONS 137
- Example: Shift to the left 138
- TRIM LEFT IN INSERT MODE 139
- TRIM LEFT IN OVERWRITE MODE 140
- TRIM RIGHT IN INSERT MODE 141
- TRIM RIGHT IN OVERWRITE MODE 142
- RIMMING TIMELINE ELEMENTS 143
- SHORTCUTS 144
- 4.10.1 OVERVIEW 146
- EXAMPLE 147
- OW TO ACTIVATE THE SLIP MODE 148
- HOW TO LEAVE THE SLIP MODE 149
- 4.11.1 OVERVIEW 154
- During the Slide Action 156
- Final Situation 156
- HOW TO LEAVE THE SLIDE MODE 158
- 4.12 TRANSITION EFFECTS 161
- APPLY THE EFFECTS 162
- 4.12.3 EFFECT TYPES 163
- 4.12.4 EFFECT DURATION 164
- 4.12.5 EFFECT POSITIONS 164
- TRACKS GROUP BOX 166
- TRANSITION EFFECT GROUP BOX 167
- VIDEO TRANSITION GPI 168
- spin box 169
- TRANSITION EFFECTS 170
- DDING TRANSITION EFFECTS 171
- ODIFYING TRANSITION EFFECTS 175
- SAME CLIP 176
- ELEMENTS 176
- 4.13 AUDIO SWAPS AND MUTES 177
- SWAP/MUTE FUNCTION 178
- AUTOMATIC SWAP DEFINITION 178
- AUTOMATIC MUTE DEFINITION 178
- WINDOW VARIATIONS 185
- SWAP SOURCES / OUTPUTS 186
- ADDITIONAL OPTIONS 186
- 4.13.8 ADDING AUDIO SWAPS 187
- ELEMENTS OF AN AUDIO TRACK 189
- GIVEN POINTS OF A TRACK 190
- 4.13.10 DELETING AUDIO SWAPS 191
- AUDIO TRACK NAME 193
- O DB LINE 193
- 4.14.10 RESETTING THE VOLUME 200
- REPLACE FUNCTION 201
- 4.15.2 PROCESS OVERVIEW 202
- INTO THE TIMELINE 203
- 4.15.4 REPLACE SETTINGS 204
- PRE-ROLL AND POST-ROLL 205
- AUDIO SWAP INPUT MATRIX 207
- Example 208
- AUDIO GROUP TRACK MUTE 209
- FUNCTION 210
- DEFINITION 213
- 4.16.2 ADDING LOCATORS 214
- OW TO MODIFY LOCATORS 215
- 4.17 USING GPIS IN IPEDIT 216
- GPI USE IN IPEDIT 217
- GPI AND SLOW MOTION 217
- OVERVIEW OF GPI SETTINGS 217
- GPI TYPES IN IPEDIT 217
- 4.17.2 REPLACE GPIS 218
- 4.17.4 CLIP GPIS 218
- GPI DISPLAY 219
- HOW TO MOVE A CLIP GPI 220
- 4.18.1 OVERVIEW 221
- WHAT ARE THE LIMITATIONS? 222
- 4.19 IPEDIT SETTINGS 223
- 4.19.2 MACRO COMMANDS 224
- 4.19.3 REPLACE SETTINGS 224
- ShuttlePRO 225
- Glossary 227
- +32 4 361 7000 229
- +1 973 575 7811 229
- +852 2914 2501 229
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