Evs XTnano Version 11.01 - November 2012 Configuration Instrukcja Użytkownika Strona 119
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- Spis treści
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Oceniono. / 5. Na podstawie oceny klientów
Dolby Audio Management
Concepts
• Dolby Digital or Dolby 5.1 or AC-3, is an audio coding system containing up to 6
discrete channels of sound, with 5 channels for normal-range speakers (20 Hz - 20,
000 Hz) (Right front, Center, Left Front, Right Rear and Left Rear) and one channel
(20 Hz - 120 Hz) for the LFE, or subwoofer.
• Dolby E is a professional coding system optimized for the distribution of surround and
multichannel audio through two-channel postproduction and broadcasting
infrastructures, or for recording surround audio on two audio tracks of conventional
digital video tapes, video servers, communication links, switchers, and routers.
Available Dolby Configurations
Case 1: The 5.1 audio signal is carried on 6 discrete PCM audio
channels
• It is available on an XTnano server in all configurations.
• The audio can be analog, digital or embedded depending on the configuration.
• In AES audio, if the audio is correctly genlocked to the video, the sample rate
converter can be switched off.
Case 2: The 5.1 audio signal is coded in the two-channel Dolby E
standard
• Dolby E over AES/EBU links
◦ Set the configuration of the pair of channels carrying the Dolby E signal to “DY” in
the Multicam Configuration window, Channels tab. This has two effects:
• It disables the sample rate converter on the input channels.
• It forces all transitions to a hard cut.
If the sample rate converter is activated and the audio configuration is a mix between
PCM audio over AES and Dolby E over AES, the sample rate converter will only be
applied to the PCM over AES signal.
• Dolby E Embedded in the SDI/HD SDI stream
◦ Set the configuration of the pair of channels carrying the Dolby E signal to “EY” in
the Multicam Configuration window, Channels tab. This will force the transition to
a hard cut.
◦ The sample rate converter parameter does not apply to embedded audio.
109 3. Multicam Configuration
EVS Broadcast Equipment S.A. - November 2012 Issue 11.01.A
- CONFIGURATION MANUAL 1
- Copyright 3
- Disclaimer 3
- Improvement Requests 3
- Regional Contacts 3
- User Manuals on EVS Website 3
- Table of Contents 5
- 3. MULTICAM CONFIGURATION 42 6
- GLOSSARY 170 7
- VI Table of Contents 8
- What's New? 9
- VIII What's New? 10
- 1. Introduction 11
- 2 1. Introduction 12
- Merging of Former Manuals 13
- 1.3. Starting the EVS Server 14
- Prerequisite 15
- Procedure 15
- 2. Multicam Setup 16
- 7 2. Multicam Setup 17
- Description of the Areas 18
- General Navigability 19
- In the Web-Based Interface 20
- 2.2. Configuration Lines 21
- Automatic Launch 22
- How to Edit a Configuration 23
- Invalid Configuration 24
- 15 2. Multicam Setup 25
- 17 2. Multicam Setup 27
- 2. Multicam Setup 18 28
- 2.3. Server Parameters 32
- Protection 33
- Settings 36
- How to Set the LAN PC 36
- Supported Formats 37
- Default Raid Configuration 39
- Requested Raid Configuration 39
- Current Raid Configuration 40
- 2.4. Licenses and Maintenance 41
- 2. Multicam Setup 32 42
- How to Remove a License Code 45
- 2.5. Server Maintenance 46
- Disk Errors and Disconnection 47
- Restarting 48
- Retrieving Logs 49
- Rebuild Process 49
- 2.5.4. Clearing Video Disks 50
- 2.5.5. Exporting Log Files 50
- Monitor user manual 51
- 3. Multicam Configuration 52
- 43 3. Multicam Configuration 53
- Server-Based Application 54
- Display Mode 55
- User Interfaces 56
- Configuration Window 57
- Editing Commands 58
- Enabling Values in a List 58
- Navigation Commands 62
- 3.2. Supported Configurations 63
- Channel Assignment 64
- 55 3. Multicam Configuration 65
- Available Configurations 67
- Example: 3REC + 1PLAY 67
- Example: 4REC + 2PLAY 2R/CM 68
- Configurations 69
- 3.2.4. SLSM Configurations 70
- SLSM 2x Configurations 71
- SLSM 3x Configurations 72
- Example: 1SLSM 3PH + 1PLAY 73
- Assignment Principles 74
- 3.2.7. 3D SLSM Configurations 76
- 3.3. Server Tab 78
- 3.3.2. Video and Reference 79
- Field Rate 80
- Resolution 80
- Horizontal Res. (HD) 81
- Recorded Lines (SD) 81
- LTC Timecode 81
- Sync PC Time to TC 81
- Codec Availability 82
- Codec-Related Information 82
- SD (Standard Definition) 84
- HD to SD SDI / SD SDI to HD 84
- 3.3.4. Interpolation Settings 85
- 3.3.5. PC LAN Settings 86
- General Description 87
- IP Address 87
- Subnet Mask 87
- Default Gateway 87
- 3.4. Channels Tab 88
- 79 3. Multicam Configuration 89
- 3.4.2. Channels 90
- Base Config 91
- SLSM Rec 92
- Port Settings 93
- Channels and Control Settings 94
- Main ctrl (Main Controller) 95
- Main Rules for XTnano server 96
- Standalone Protocol 97
- Exclusive mode - REC Channels 99
- Parallel mode - Play Channels 100
- Parallel mode - REC Channels 100
- Recorder Settings 101
- Clip Capacity 102
- Rec Auto Start 102
- 3.4.3. Audio 103
- Number of Tracks 104
- Audio Connectors 104
- Audio Full Scale 105
- Ancillary Mode 105
- Introduction 106
- General Principles 107
- Audio Input Settings 108
- Example 2 109
- Example 3 109
- Example 4 109
- Audio Output Settings 110
- 101 3. Multicam Configuration 111
- Audio (Embedded) Inputs 113
- Audio Embedded Outputs 114
- Audio Digital Outputs 114
- 4 or 16 Audio Tracks 115
- Audio Analog 116
- Collective Editing Actions 117
- Individual Editing Actions 117
- Commands 118
- Dolby Audio Management 119
- Timecode Settings 120
- Primary TC 121
- Timecode Insertion Settings 122
- HD OUT (in HD) 123
- SD OUT (in HD and SD) 124
- SMPTE Package Settings 125
- Supported Packets 126
- Decoding 126
- Encoding 126
- Custom 1/2 127
- SD OUT Encoding 127
- 3.5. Network Tab 128
- Net Name 129
- IP Address (Port 1/Port 2) 130
- Subnet Mask (Port 1/Port 2) 130
- 3.6. Monitoring Tab 131
- 3.6.2. Multiviewer Settings 132
- Available Layouts 133
- Display 1 to 8 134
- Audio Monitoring from video 134
- Aspect ratio - Videos 134
- 3.6.3. OSD Settings 135
- Genlock Error 136
- Disk Error 136
- Char OUT J4 137
- Char OUT J1 137
- OUTBJ3 138
- Aspect ratio 138
- SDEdge Enh 138
- RECHD->SD Low latency 138
- 3.7. Protocol Tab 139
- 3.7.2. Clip Identifiers 140
- 3.7.3. Sony BVW Settings 140
- FFW/REW speed 141
- Use guardband 141
- 3.7.4. RS422VarID Settings 142
- 133 3. Multicam Configuration 143
- VarID Configuration File 144
- Uniqueness 144
- VDCP Visibility 145
- 3.8. GPI Tab 146
- 3.8.2. GPI Settings 147
- TTL GPIs set as GPIs 148
- GPIs IN - Channel/Device 148
- GPIs IN - Port 148
- GPIs IN - Function 149
- GPIs IN - Delay 150
- GPIs OUT - Function 150
- GPIs OUT - Type 150
- GPIs OUT - Advance 150
- 3.8.3. Tally Settings 151
- Add Clip to PL 152
- Clips guardbands 152
- 3.9. Operation Tab 153
- Clips Settings 154
- Playlist Settings 154
- Miscellaneous Settings 155
- Controller Settings 155
- 3.9.2. OSD Settings 156
- OSD on inputs 157
- Background 157
- Audio meters 158
- DB Adjust 158
- Thickness 158
- 3.9.4. Clips Settings 159
- Automake clip for CAM A/B/C/D 160
- Guardbands 160
- Default clip duration 160
- Autoname clips 161
- Clip post-roll 161
- Mark cue point 162
- Record trains OUTs 162
- Default copy/move 163
- Freeze on cue points 163
- Protocol Receive page 163
- 3.9.5. Playlist Settings 164
- Availability 165
- Video effect duration 165
- Wipe type 165
- Default playlist speed 165
- Insert in playlist 166
- Confirm Ins/Del clips 166
- Playlist loop 166
- Playlist auto fill 167
- Fade to/from color 167
- Load Playlist 167
- 3.9.6. Protection Settings 168
- 3.9.7. Push Settings 169
- Push Target 170
- Push Target 1 / 2 171
- Push Mode 171
- Push Receive Page 171
- 3.9.8. Audio Settings 172
- Lipsync value (ms) 173
- Aux track output 173
- Effect duration for take 174
- Fast jog 175
- PGM Speed / var max 175
- Lever engage mode 176
- Second lever range 176
- Recall clip toggle 177
- Record key 177
- VGA & Remote sync 178
- PGM/PRV mode 178
- Internal loop mode 179
- Glossary 180
- 171 Glossary 182
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